With the sun racing below the horizon and larks darting melodically between aromatic scrubby, bushes, we are making our way back to our room after dinner. The sandy path is flanked by fantabulous, upright sandstone formations to the one side and these aromatic shrubs, with names like Kakiebos and Skilpadbessie, to the other.
The place is called Kagga Kamma, a private nature reserve bordered by the Cedarberg to the northwest and in the east by the arid Ceres Karoo. If you’re from these parts and familiar with Afrikaans, that early 20th century Dutch derivative, you’ll recognize the guttural exercise of scraping your throat when pronouncing the word ‘kagga’. But that’s just the sound of the word.
Together the two words mean ‘place of water’, and first fell not from the lips of the Dutch, but San, or ‘Bushmen’ as they were originally known by the original European settlers. Some say they are the Khomani San, referring to a particular clan, others say otherwise, and therein lies many a squabble.
I remember a Bushman I met in Botswana’s central Kalahari who, loosely translated, said he preferred being called a ‘Bushman’ because it referred to his ability to live as one with nature. But the story of these remarkable people deserves more than a page. And anyway, this isn’t an anthropology lesson. It is rather a short tale of a single Dad sharing two nights with his son in this destination of big skies and remarkable rocks, on which these ancient people sketched the first southern African stories.
Knowing that it wouldn’t take more than three hours from Cape Town, and that his mind of a spongy six years would likely latch on to the experience, I had decided to introduce Fynn to the world of the bushmen.
These original inhabitants of this remote part of the western Cape lived according to the seasons and stars, and in harmony with all living things. While sounding like great neighbours, simplistically put, they didn’t understand the early western notion of private ownership, believing instead that the earth’s bounty was for all to share. It was a belief system that saw them persecuted by most they came into contact with, from the Xhosa in the east to the settlers here in the west.
‘I want to sleep in the cave!’ had been the (expected) response when I give him the option of a thatched rondawel or a room built into the existing sandstone rock formations. I had been here before, and felt that the cave-rooms were in a need of a 21st century upgrade, but the‘cave’ was an easy winner.
On the day’s afternoon drive our guide, Pieter Jan Heyman, stops the landcruiser in a valley at one of a number of standout rock formations. While Fynn clambers on sandstone rocks seemingly designed for young climbers, the guide contextualises the paintings we’re about to see, and points to evidence of pastoralists, the Khoi, having settled here at some point.
These are Fynn’s first Bushmen paintings. Luckily they are clear, and with head cocked he takes an interest in Pieter’s telling of their story. A first for me is a depiction of the San Bushman deity Kaggen, the revered praying mantis.
Pieter stops at what seems like a random spot and heads some ten metres into the bush. While we on the vehicle expect him to return with the likes of a snake, after he’s picked his way between scrubby tufts of hardy grass back to the vehicle he reveals in his hand a prehistoric-looking lizard.
Within minutes of Pieter laying out the snacks, an elephant shrew appears. The size of a small mouse and common to Africa, this small insectivorous mammal with a mobile nose darts out from under a rock.
Fynn is delighted and begins a futile chase after the creature, which is clearly well acquainted with not only the shortest and fastest route between rocks, but also the sundowner tradition.
On my last visit here I remember similar feelings of delight at this new discovery, this marriage of landscapes and celebration of nature.
PS: On the subject of close relations, whether wife, partner or child, there is a bed at Kagga Kamma that is surely the equal of any on the planet. It is out in the bush, at the foot of an impressive collection of granite boulders. Looking across the valley to the profiled spine of the Swartruggens Mountains, with a shower jutting out of a nearby boulder, a packed dinner, champagne and the right person for company, you would struggle to find a better moment in time.
Angus is serious about his craft. A CNN award-winning television producer, he was the first South African broadcast journalist to report from the chaos of Somalia in 1992.
He went on to cover the Rwandan genocide of '94 and South Africa's first democratic elections the same year, for which he was nominated for the national public service radio awards.
It was these episodes in Somalia and Rwanda that took him the roundabout route to the fields of travel and environment, in which he now writes, produces and photographs.